One Hundred and Fifty Steps VEP

by Bait

supported by

Axonberg name a more iconic dubstep BPM, i'll wait

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Pre-order of One Hundred and Fifty Steps VEP. The moment the album is released you’ll get unlimited streaming via the free Bandcamp app, plus a high-quality download in MP3, FLAC and more.

Purchasable with gift card

releases May 3, 2024

€6 EUR or more

	1.	Carré - plotting smth
	2.	Formella - dripstep
	3.	Gent1e $oul - Base Trade
	4.	SPLT - Grill Party

about

Bait’s second VEP (Various EP) is a 4-track dive into a rather modern phenomenon: 150 dubstep, as DJs and crowds seem to be enjoying the faster bass sounds, yet broken rhythms and heavy halftime pulses. For this release we’ve got L.A.’s rising bass-music star Carré, specialised in racing wobblers, who recently released her second solo EP on her label FAW (Fast at Work) (first one was on Darwin's SP:EC)). Track 2 is Berlin-based Femme Bass Mafia member Formella’s first ever release, a reflection of her upbringing in and around London, drawing inspiration from playful breaks to deep wobbly bass. Third track is by Fast Castle label captain Gent1le $oul, also Berlin-based and pushing hybrid dubstep in the German capital with hot vinyl releases and parties. Last but not least, SPLT’s mental banger “Grill Party” that Beatrice M. happened to discover in Laksa’s Truant podcast and reached out after dropping an “ID?” comment on soundcloud. The Lyon-based producer never misses, his tracks have been played out multiple times by Garçon and Agonis, in the continuity of merging bass and techno, always with an aspect of prog.

soundcloud.com/baitlabel/one-hundred-and-fifty-steps-vep-out-030524

Mastering by Bademjan.

credits

releases May 3, 2024

license

about

Bait France

New French imprint Bait is a label focused on the cross over of two spheres: snare heavy bass-music and immersive mental techno. The outcome is technoïd-dubstep that is psychedelic, minimal, contemplative and at the same time calls for gun fingers and backspins. Label boss Beatrice M.’s likes to call the genre “dubtech”. ... more

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